美国罗德岛RISD论文代写:高迪
Keywords:美国罗德岛RISD论文代写
正如我们已经简要指出，高迪的主要作品都可以位于更广泛的艺术运动的现代主义，我们必须尝试在第一次幻想的定义这个词，因为它作为一个关键的思想边界内的论文。“现代主义”的概念，顾名思义，关注现代时代的到来，在市民社会的出现和后果，这对于人类表现主义的最深刻和最深刻的模式。现代艺术视野如著名的新艺术风格建筑与艺术也因此有意识离开了欧洲艺术的努力是在第十七的历史复兴的一部分，第十八和第十九世纪早期。因此，然而，例如，古典主义与浪漫主义力图突出线性历史连接希腊和罗马的古代文明与现代化的文明西欧现代主义旨在离婚本身完全从过去通过支持一种全新的艺术视野，寻求挑战占主导地位的现有的文化和审美理想，建立创作和艺术探讨新的界限。正如我们将看到的，这是旧的挑战，过时的艺术理想和随后的重新绘制创意界限，共同创造肥沃的土地为高迪最著名的建筑杰作。因此，我们应该从一开始就明白，高迪无论是有意识的还是下意识的，都是欧洲范围内的现代主义、新艺术运动的重要组成部分。尽管在现代主义圈子里并不积极，但高迪却不可避免地受到了第十九世纪最后几十年的现代主义的驱动和20世纪开放的几十年的影响。这是一个值得注意的重要问题，在整个讨论的其余部分应该牢记这一点。
美国罗德岛RISD论文代写:高迪
As we have already briefly noted, Gaudi’s major works can all be located within the broader artistic movement of Modernism and we must attempt in the first instance to conjure up a definition of this term seeing as it acts as a key ideological boundary within the dissertation. The concept of ‘modernism’, as the name suggests, concerned the advent of the era of the modern upon the emergence of civil society and the consequences that this had for the deepest and most profound modes of human expressionism. Modernist artistic visions such as the celebrated art nouveau style of art and architecture were therefore part of a conscious move away from the historical revivals that had characterised European artistic endeavour during the seventeenth, eighteenth and early nineteenth centuries. Thus, whereas, for instance, Romanticism and Classicism strove to highlight the linear historical connection between the ancient civilisations of Greece and Rome with the modernising civilisations of Western Europe, modernism aimed to divorce itself completely from the past via endorsing a wholly new kind of artistic vision that sought to challenge the dominant existing cultural and aesthetic ideals and to establish new boundaries for the creation and discussion of art. As we will see, it was the challenge to old, anachronistic artistic ideals and the subsequent re-charting of creative boundaries that would conspire to create fertile grounds for Gaudi’s most celebrated architectural masterpieces. Thus, we should understand from the outset that Gaudi was – whether consciously or subconsciously – a key component of the European-wide modernist, art nouveau movement. Even though he was not actively moving in modernist circles Gaudi was inexorably bound by the modernist drive that characterised the last decades of the nineteenth century and the opening decades of the twentieth century. This is an important point to note and one that ought to be borne in mind throughout the remainder of the discussion.
以上美国罗德岛RISD论文代写:高迪文章分段翻译后发布！我们是当地高端论文代写服务机构！长年为华人留学生提供论文作业代写服务！如果你有此类需求，可以委托你的要求！我们百分百高质量完成！
